A great triumph of science entered my bloodstream last week, an event that involved the bizarre, post-apocalyptic experience of entering an ice-skating stadium turned makeshift vaccination centre and being told off for taking photos of men in army suits.
‘It’s a historic moment,’ I told the nurse who stood over my shoulder and made sure I’d deleted each one.
I was surprised by the extent to which my body reacted, its weakness, and the strange fever that followed the night of the vaccination, in which I’d dreamt of my brother strangling me. It’s one of my most recurrent nightmares, but this time had the twist that I’d fought back.
I’d had assignments that week -- interesting ones -- and was annoyed by the slowness of my mind, worried that attempts to preserve my sanity through lockdown had dulled the critical faculties I need to perform well professionally. Sometimes, it feels like when you turn a light on too bright you don’t notice the cobwebs you’re supposed to as a half decent journalist.
I ask myself the question - In making concerted efforts to be happy, had I turned my back on my own intellect -- and at what cost? And where’s the middle ground between living a life of joy, and a life of purpose?
I’ve been making concerted efforts to follow and scrutinise the news again, properly, and in German, writing out each unfamiliar word as I used to, back at university when the fear of blowing up my brain had no hold over me, when everything was a frenzy of learning, and where everyone was unapologetic in their love of knowledge, complexity and of depth.
And more than willing to put up with the discomforts that came with that sort of cognitive stretching and scrutiny.
But now I’m romanticising a time that was also really challenging, and an environment against which I’d actively rebelled sometimes, too.
Seems like wherever I am, I find a way not to fit. But maybe that’s just where I’m meant to be.
P.S. I'm towards the end of Ferrante's Neapolitan Quartet, and it's literally the best thing I've read in five thousand years. Highly recommended.
A Berlin-based writer engages in the study of belonging and in-between places after years spent faraway from 'home'.